Carmen Ocampo Velázquez (She/They) is a Toronto-based multidisciplinary artist, curator, and psychologist originally from Colombia. Her experience centers on healing, identity, and social change through collaborative engaged art. Drawing on a clinical psychology background spanning over 30 years, she catalyzes creative processes that foster individual and communitarian resilience and empowerment. Carmen holds a Master’s in Environmental Studies and is the founder of Matiz Project, a transdisciplinary collective harnessing the transformative power of art to deconstruct social narratives and reclaim collective voices. Currently, she serves as an Art & Wellbeing Facilitator and Board Member at Lakeshore Arts (LSA).

Treasures of Ours
Nabil Shash
Ethnicity: Ethiopian
Attached is a photo of a hat and scarf that’s gifted to Harari men when we get married. Although I rarely get to wear it, it symbolizes a step into adulthood. These two items were made in Harar, Ethiopia and gifted to me by a friend of my father. It also symbolizes the love my parents have received from the community, through to me.
As a child of diaspora, the closes connection I have to the harari community is through weddings. That’s where you see traditional clothing, hear traditional songs, and celebrate in a traditional fashion. I don’t know the language, how to cook the food and didn’t get married to a Harari woman. So these garments represent community, my community, and outside of my parents and my blood, are my only connection to it.
The hat is called a quofia, which I think literally translates into hat. I never learned what the scarf’s actual name is but let me check with my dad. They were gifted to me by a friend of my parents on the day of my wedding to wear. Traditionally, I should continue to wear it at weddings as a symbol that I am married.